Empecé a escribir Cielos líquidos en 1995. Quise imponerme un modo distinto de ver; de mirar, de sentir lo poético. Me resultaba tan tedioso como la vida, además de absurdo, tener que matar el precioso tiempo que nos queda con
The Golden Star, as an allegorical landscape, marks and illuminates a new way of searching for the perfect ―the circle and gold, that closest to perfection―. The syncretism of cultures and languages ―as opposed to the Language, fascist in itself,
One writes with the language of one’s desire. For a Francophone, I wrote these poems in French, in three different cities of the Maghreb el-Aksa, in front of the Atlantic Ocean, during August and September 1993. In 1997, I translated
Acropolis, the title of the poems, whose meaning refers to the highest and most fortified place in Greek cities, advances the key to their meaning, in the opening quotation which says: There are still some acropolis where you can take
Diary of an ascension to the hells of the real, written between 1982 and 1983, initiatory journey to the heart of emptiness, El perfume de la pantera -narcotic perfume of life- represents the flesh, from aesthetics and cursing, as sacred
HEL I XS is a collection of poems in Catalan, thirty short poems written between 1980 and 1995, with interpolations in French, Latin, Portuguese and Italian, which advocates a poetic language of diversity and miscegenation.
In the four allegorical texts that consist into this collection of poems in prose, dated between 1973 and 1976, recurring themes of the author's poetic universe are encoded, at the same time are configuring the keys to access that fictitious
All the curses of the poet come together in this collection of poems, written between 1977 and 1980, an orgiastic ritual that pursues confusion, the fundamental and total undifferentiation of the sexes and values, of the substance, of the chaos
It is about five long odes in Alexandrians, written between 1973 and 1974, where the poet reflects his dazzling by classical Greek art, which gives form to the gods; by Leonardo, the seduction of the enigma of the real; by
The works collected in this collection of poems, written between 1974 and 1976, constitute an extension of the poet's passion for the Hellenic world, with its myths and its cult of the beauty of form.