Este libro reúne los mejores versos de Gérard de Nerval. “Iniciado”, “Vestal” e “Hijo del Fuego”: Así gustaba llamarse el poeta más moderno y puro del Romanticismo francés, precursor del Simbolismo y el antecesor más profundo del Surrealismo ―Nerval se
HEL I XS is a collection of poems in Catalan, thirty short poems written between 1980 and 1995, with interpolations in French, Latin, Portuguese and Italian, which advocates a poetic language of diversity and miscegenation.
In the four allegorical texts that consist into this collection of poems in prose, dated between 1973 and 1976, recurring themes of the author's poetic universe are encoded, at the same time are configuring the keys to access that fictitious
El Spleen de París no tiene que ver con lo real. Las cosas de la tierra, según Baudelaire, solo existen en escasa medida, pues <>. De esta afirmación al Surrealismo no
All the curses of the poet come together in this collection of poems, written between 1977 and 1980, an orgiastic ritual that pursues confusion, the fundamental and total undifferentiation of the sexes and values, of the substance, of the chaos
Octave de Saville, incapaz de soportar la vida sin el amor de la condesa Prascovia, casada con el conde Labinski, decide utilizar como último recurso los servicios del doctor Cherbonneau, quien intercambia los cuerpos y las almas del amante y
Los dos momentos cruciales de mi vida ―escribiría Oscar Wilde en la cárcel de Reading― corresponden a los días en que mi padre me envió a Oxford y aquellos en que la sociedad de envió a prisión. Fue allí donde
It is about five long odes in Alexandrians, written between 1973 and 1974, where the poet reflects his dazzling by classical Greek art, which gives form to the gods; by Leonardo, the seduction of the enigma of the real; by
The works collected in this collection of poems, written between 1974 and 1976, constitute an extension of the poet's passion for the Hellenic world, with its myths and its cult of the beauty of form.
Cacería is a collection of poems, written in 1973, that reconciles the musician, the painter and the poet who coexist in the author, where the rhythm and the typographic distortion of the text determine the search for a plastic, visual