Since he was nineteen years old, Sebastian, a self-exiled Spanish photographer in London, has been descending on time to Morocco, every three years, dragged by a strange ritual of purification and passage that he cannot quite decipher. Now, about to
La Habana y después, fragmented novel in three times and located in two continents, between the spring of 1994 and the summer of 1997, has Alex as protagonist, a traveler and cosmopolitan artist in vacations, an esthete that satisfies his
Brothel presents a radical game against the value, the archetype, the tradition but also against the expired mold of the novel. It is an exercise of style, of transgression to find the right phrase, winking to Poe, to Rimbaud, to