{"id":26160,"date":"2026-07-01T12:00:08","date_gmt":"2026-07-01T10:00:08","guid":{"rendered":"https:\/\/www.pedro-gandia.com\/las-cenizas-del-dia-3\/"},"modified":"2026-07-02T10:49:59","modified_gmt":"2026-07-02T08:49:59","slug":"una-estacion-en-el-infierno","status":"publish","type":"post","link":"https:\/\/www.pedro-gandia.com\/en\/una-estacion-en-el-infierno\/","title":{"rendered":"UNA ESTACI\u00d3N EN EL INFIERNO"},"content":{"rendered":"

[vc_row row_type=”row” use_row_as_full_screen_section=”yes” type=”full_width” text_align=”left” background_animation=”none” side_padding=”10″ padding_top=”27″ padding_bottom=”20″ css_animation=”” background_color=”#ffffff”][vc_column][vc_column_text css=””]UNA ESTACI\u00d3N EN EL INFIERNO<\/strong><\/span><\/p>\n

Arthur Rimbaud<\/span><\/span><\/p>\n

[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”full_width” text_align=”left” background_animation=”none” css_animation=””][vc_column][vc_empty_space height=”50px”][\/vc_column][\/vc_row][vc_row row_type=”row” use_row_as_full_screen_section=”no” type=”grid” text_align=”left” background_animation=”none” padding_bottom=”60″ css_animation=””][vc_column width=”1\/3″][vc_single_image image=”26173″ img_size=”large” css=”” qode_css_animation=””][\/vc_column][vc_column width=”2\/3″][vc_column_text css=””]SINOPSIS<\/p>\n

Arthur Rimbaud is the artist of perpetual adolescence, a figure of irreducible singularity both in life and in his work. First a Symbolist, then a Decadent; regarded by many as a precursor of Surrealism and the Beat Generation; a cultural transgressor, an outcast, a rebel without homeland or creed, the very embodiment of rebellion.
A Season in Hell<\/em>, a long prose poem written in 1873, is a work of dazzling beauty, marked by a deeply personal and confessional tone. This bilingual edition presents a poet who casts off convention in pursuit of a more intense and personal mode of expression. The work resembles a sojourn in a psychological Hades, in which Rimbaud imitates the inner monologue of a condemned soul in confession, where the voice gives expression to emotional states while seeking reconciliation with its own identity and experience. His innovations in rhythm and harmony are carried even further, as he also experiments with syntax and vocabulary to produce poetic effects of remarkable intensity. It is in this radical break with convention\u2014in this poetry on the margins\u2014that Rimbaud\u2019s legacy is found. By challenging and subverting the established forms of poetry, he transformed the very nature of his poetic practice.<\/p>\n

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Author: Arthur Rimbaud
Translation, Introduction, and Notes: Pedro Gand\u00eda. Bilingual edition.
Publisher: Aliar Ediciones, Averso, Poes\u00eda Collection, No. 60. Granada (Spain), 2026.
ISBN: 979-13-88327-35-3
136 pages<\/p>\n

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