{"id":26113,"date":"2025-12-26T12:00:08","date_gmt":"2025-12-26T11:00:08","guid":{"rendered":"https:\/\/www.pedro-gandia.com\/jardin-de-verano-3\/"},"modified":"2026-05-20T18:31:37","modified_gmt":"2026-05-20T16:31:37","slug":"las-cenizas-del-dia","status":"publish","type":"post","link":"https:\/\/www.pedro-gandia.com\/en\/las-cenizas-del-dia\/","title":{"rendered":"LAS CENIZAS DEL D\u00cdA"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;yes&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; side_padding=&#8221;10&#8243; padding_top=&#8221;27&#8243; padding_bottom=&#8221;20&#8243; css_animation=&#8221;&#8221; background_color=&#8221;#ffffff&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 24pt;\"><strong>LAS CENIZAS DEL D\u00cdA<\/strong><\/span><\/p>\n<p><span style=\"font-size: 24pt;\"><span style=\"font-size: 18pt; color: #808080;\">Pedro Gand\u00eda<\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; padding_bottom=&#8221;60&#8243; css_animation=&#8221;&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;26122&#8243; img_size=&#8221;large&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]SINOPSIS<\/p>\n<p>Se re\u00fanen aqu\u00ed mis poemarios escritos entre 1972 y 2001 y publicados entre 1973 y 2023, ahora en su versi\u00f3n definitiva, que conforman el primer ciclo de mi obra po\u00e9tica. En la acepci\u00f3n de Rub\u00e9n Dar\u00edo, una obra <em>rara<\/em> \u2014un experimento po\u00e9tico radical, de clasicismo y vanguardia\u2014 al margen de los postulados del momento en que fue escrita. Un mundo visionario donde impera la imagen, el color y el sonido. En palabras que tomo del pr\u00f3logo: \u201cEste es el diario po\u00e9tico de un yo poli\u00e9drico queri\u00e9ndose saber en su escritura, en la forma, en la \u2018imaginaci\u00f3n t\u00e9cnica\u2019 [\u2026] Diario urdido por distintas voces, distintos trinos que, a su vez, son un todo, como el Simurg, el p\u00e1jaro legendario, m\u00edtico (el mito es el <em>saint langage<\/em> de la escritura). [\u2026] \u00bfEs esto lo que subsiste de la vida, de mi vida? \u00bfEsto es lo que resulta de este yo de papel, quemado en la palabra y muerto en escena? [\u2026] Son los rescoldos que me quedan de la acci\u00f3n marchitadora de la vida; sus cenizas enamoradas, por las que s\u00e9 que he sido\u201d.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Autor: Pedro Gand\u00eda<\/p>\n<p>Editorial: Calambur Editorial S.L; colecci\u00f3n \u201cCalambur, poes\u00eda\u201d, n. 175, Barcelona (Espa\u00f1a)<br \/>ISBN: 978-84-8359-139-0<br \/>550 pp.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"#\" target=\"_self\"  class=\"qbutton \" style=\"\">BUY WORK<\/a>[\/vc_column_text]<div class=\"social_share_list_holder circle\"><ul><li class=\"facebook_share\"><a title=\"Share on Facebook\" href=\"javascript:void(0)\" onclick=\"window.open('http:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/www.pedro-gandia.com\/en\/las-cenizas-del-dia\/', 'sharer', 'toolbar=0,status=0,width=620,height=280');\"><i class=\"social_facebook_circle\"><\/i><\/a><\/li><li class=\"twitter_share\"><a href=\"#\" title=\"Share on Twitter\" onclick=\"popUp=window.open('https:\/\/twitter.com\/intent\/tweet?text=Se+re%C3%BAnen+aqu%C3%AD+mis+poemarios+escritos+entre+1972+y+2001+y+publicados+entre+1973+y+2023%2C+ https:\/\/www.pedro-gandia.com\/en\/las-cenizas-del-dia\/', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false;\"><i class=\"social_twitter_circle\"><\/i><\/a><\/li><li  class=\"google_share\"><a href=\"#\" title=\"Share on Google+\" onclick=\"popUp=window.open('https:\/\/plus.google.com\/share?url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Flas-cenizas-del-dia%2F', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_googleplus_circle\"><\/i><\/a><\/li><li  class=\"linkedin_share\"><a href=\"#\" title=\"Share on LinkedIn\" onclick=\"popUp=window.open('https:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Flas-cenizas-del-dia%2F&amp;title=LAS+CENIZAS+DEL+D%C3%8DA', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_linkedin_circle\"><\/i><\/a><\/li><li  class=\"pinterest_share\"><a href=\"#\" title=\"Share on Pinterest\" onclick=\"popUp=window.open('https:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Flas-cenizas-del-dia%2F&amp;description=LAS CENIZAS DEL D\u00cdA&amp;media=https%3A%2F%2Fwww.pedro-gandia.com%2Fwp-content%2Fuploads%2FLas-cenizas-del-dia_500x500.jpg', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_pinterest_circle\"><\/i><\/a><\/li><\/ul><\/div>[vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; background_color=&#8221;#ffffff&#8221; css=&#8221;.vc_custom_1500902490992{padding: 2% !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1570718389081{padding-top: 4% !important;padding-bottom: 2% !important;}&#8221;]<span style=\"color: #393939;\"><strong>POEMS<\/strong><\/span>[\/vc_column_text][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_toggle&#8221;][vc_accordion_tab title=&#8221;ESTACI\u00d3N DE DIFUNTOS&#8221;][vc_column_text css=&#8221;&#8221;]Los chopos son los brazos<br \/>de los amigos muertos.<\/p>\n<p>&nbsp;<\/p>\n<p>Los chopos son los brazos;<br \/>las hojas, mil pa\u00f1uelos.<\/p>\n<p>&nbsp;<\/p>\n<p>Las hojas, mil pa\u00f1uelos<br \/>para enjugar recuerdos.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00bfD\u00f3nde pican los p\u00e1jaros<br \/>de los amigos muertos?<\/p>\n<p>&nbsp;<\/p>\n<p>Los chopos son velones<br \/>por los amigos muertos.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00bfD\u00f3nde pican los p\u00e1jaros<br \/>que en mi fuente bebieron?<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\">Vengo de los chopos, madre,<br \/>\nde ver c\u00f3mo el aire los mueve.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 120px;\">(Del libro <em>Las puertas de la Arcadia y de lo Oscuro<\/em>)<\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;VARIACIONES SOBRE UN TEMA&#8221;][vc_column_text css=&#8221;&#8221;]I. DE LA ESCUELA DE CROTONA<\/p>\n<p>Por liberar el alma, contemplaba<br \/>al ser m\u00e1s puro y bello y se fund\u00eda<br \/>en \u00e9l hasta ser n\u00famero,<br \/>esp\u00edritu y sustancia.<\/p>\n<p>&nbsp;<\/p>\n<p>Al rebasar el \u00e9ter, deven\u00eda<br \/>la c\u00f3smica armon\u00eda.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>II. EL CUERPO ES LA GLORIA PASAJERA DEL ALMA<\/p>\n<p>No adorar su materia,<br \/>sino adentrarse en ella<br \/>hasta volverla n\u00famero<br \/>sin nombre, fundamento<br \/>de todo cuanto existe.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 120px;\">(Del libro <em>Acr\u00f3polis<\/em>)<\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;ATADO A LAS ESPALDAS DE UN TIGRE&#8221;][vc_column_text css=&#8221;&#8221;]\u2015Dial\u00e9ctica trascendental\u2015<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Espacio de la representaci\u00f3n (tarjeta postal).\u2015<br \/>Apariencia de un orden: <em>voil\u00e0<\/em> un poblado berberisco, muros color de carne. Una mujer, envuelta en velos negros, porta a sus espaldas un gran cesto de palmas (s\u00ed, con esa rima interna y ese ritmo).<br \/>Espectador contemplado: retirado a la profundidad de las cosas y vuelto sobre s\u00ed mismo, rostro que ha de borrarse en la historia.<br \/><em>\u2026 solo Lucette y la agencia que les remit\u00eda las cartas conoc\u00edan la direcci\u00f3n de Van.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Naturaleza del conocimiento.\u2015<br \/>Ilusi\u00f3n de la verdad, quimera ideol\u00f3gica.<br \/>Obras de ficci\u00f3n, de su ficci\u00f3n consciente, fueron las exposiciones del m\u00edstico y pitag\u00f3rico Parm\u00e9nides; y aquellas cualidades ostentadas por las cosas del cosmos, sometidas a un sistema por \u00e9l, con el que dominar el alma del mundo. <em>Doble d\u00e9j\u00e0 vu.<\/em><br \/>Expuestos y atacados los pitag\u00f3ricos (divisibilidad de sus definiciones al infinito), tiemblan, reti\u00f1en, truenan timbales y tambores y trompetas en el centro de invisibles laberintos, donde se custodian los objetos del saber cl\u00e1sico, \u00bfel saber c\u00f3smico? Anal\u00edtica de la finitud.<br \/>Y un sistema de signos transparentes, raras rosas, lo <em>Otro<\/em> (fraternal y gemelo), se abre a la continuidad del ser.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\"><em>\u2015\u00bfTienes miedo o est\u00e1s enfadado?<\/em><br \/>\n<em>\u2015Estafado, enfadado, todo. La vida es un momento precario destinado a la desaparici\u00f3n.<\/em><br \/>\n<em>\u2015\u00bfY?&#8230; \u00bfQu\u00e9 esperabas? No hay m\u00e1s realidad que el fr\u00edo.<\/em><br \/>\n<em>\u2015Bueno, m\u00e1s que enfadado y que todo: horrorizado. Horrification!, c\u2019est ici le cas, si en franc\u00e9s lo prefieres<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 360px;\">(Del libro <em>Cielos l\u00edquidos<\/em>)<\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;n O cturn O&#8221;][vc_column_text css=&#8221;&#8221;]N <strong>O<\/strong> CTURN <strong>O<\/strong><br \/>(e.e. cummingsniano)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>night\u00a0 \u00a0shall\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><br \/><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 E A T<\/em><br \/><em>these\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><br \/><em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 boys &amp; girls<\/em><\/p>\n<p>el Viejo Tiempo<\/p>\n<p style=\"padding-left: 40px;\">a l i m e n t \u00e1 n d o s e<\/p>\n<p><\/p>\n<p style=\"padding-left: 160px;\">de ti<br \/>\nde m\u00ed<br \/>\nde todos<\/p>\n<p>l a r e a l i d a d e s e l m o t i v o<\/p>\n<p style=\"padding-left: 80px;\">(Del libro <em>Estrella de Oro<\/em>)<\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;WHEN FORTHY WINTERS SHALL BESIEGE THY BROW&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p>Cronista y no part\u00edcipe,<br \/>rendido a la belleza superior de esa imagen<br \/>que ahora te enloquece<br \/>aunque luego, muy pronto, su designio de gracia<br \/>ni a su sombra responda,<br \/>te impones que su antorcha joven prenda en tus versos,<br \/>por salvarlo del tiempo<br \/>y que lo tengan otros n\u00e1ufragos de la vida<br \/>y lo tomen por faro,<br \/>aun sabiendo que nunca podr\u00e1n imaginar<br \/>la enigm\u00e1tica luz<br \/>tan rubia de su cuerpo, porque nunca regresa,<br \/>ni siquiera en un dios.<\/p>\n<p>&nbsp;<\/p>\n<p>(del libro \u201cDel Tiempo, la Belleza y la Muerte\u201d)[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;INCIPIT VITA NOVA&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p><iframe title=\"Pedro Gand\u00eda - Incipit vita nova\" width=\"563\" height=\"1000\" data-src=\"https:\/\/www.youtube.com\/embed\/MsVdTPk3UJ4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;ADOLESCENCIA&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p><iframe title=\"Pedro Gand\u00eda - Adolescencia\" width=\"563\" height=\"1000\" data-src=\"https:\/\/www.youtube.com\/embed\/mglRLC3VTRk?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;VEO EN TI LAS IM\u00c1GENES QUE AM\u00c9&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p><iframe title=\"Pedro Gand\u00eda - Veo en ti las im\u00e1genes que am\u00e9\" width=\"563\" height=\"1000\" data-src=\"https:\/\/www.youtube.com\/embed\/x9wTKJ4LbUQ?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;P\u00c1JARO FLUVIAL&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p><iframe title=\"Pedro Gand\u00eda - P\u00e1jaro fluvial\" width=\"563\" height=\"1000\" data-src=\"https:\/\/www.youtube.com\/embed\/A0ThYB251rU?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen src=\"about:blank\" class=\"lazyload\" data-load-mode=\"0\"><\/iframe><\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; background_color=&#8221;#ffffff&#8221; css=&#8221;.vc_custom_1500902490992{padding: 2% !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1726755396100{padding-top: 4% !important;padding-bottom: 2% !important;}&#8221;]<span style=\"color: #393939;\"><strong>ABOUT THIS WORK<\/strong><\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Se re\u00fanen aqu\u00ed mis poemarios escritos entre 1972 y 2001 y publicados entre 1973 y 2023, ahora en su versi\u00f3n definitiva, que conforman el primer ciclo de mi obra po\u00e9tica. En la acepci\u00f3n de Rub\u00e9n Dar\u00edo, una obra rara \u2014un experimento po\u00e9tico radical, de clasicismo y vanguardia\u2014 al margen de los postulados del momento en que fue escrita.<\/p>\n","protected":false},"author":2,"featured_media":26118,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107,110],"tags":[],"class_list":["post-26113","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literature","category-poetry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v28.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LAS CENIZAS DEL D\u00cdA - Pedro Gand\u00eda<\/title>\n<meta name=\"description\" content=\"Las cenizas del d\u00eda. 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