{"id":26113,"date":"2026-01-26T12:00:08","date_gmt":"2026-01-26T11:00:08","guid":{"rendered":"https:\/\/www.pedro-gandia.com\/jardin-de-verano-3\/"},"modified":"2026-01-27T16:02:44","modified_gmt":"2026-01-27T15:02:44","slug":"las-cenizas-del-dia","status":"publish","type":"post","link":"https:\/\/www.pedro-gandia.com\/en\/las-cenizas-del-dia\/","title":{"rendered":"LAS CENIZAS DEL D\u00cdA"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;yes&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; side_padding=&#8221;10&#8243; padding_top=&#8221;27&#8243; padding_bottom=&#8221;20&#8243; css_animation=&#8221;&#8221; background_color=&#8221;#ffffff&#8221;][vc_column][vc_column_text css=&#8221;&#8221;]<span style=\"font-size: 24pt;\"><strong>LAS CENIZAS DEL D\u00cdA<\/strong><\/span><\/p>\n<p><span style=\"font-size: 24pt;\"><span style=\"font-size: 18pt; color: #808080;\">Pedro Gand\u00eda<\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; padding_bottom=&#8221;60&#8243; css_animation=&#8221;&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;26122&#8243; img_size=&#8221;large&#8221; css=&#8221;&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text css=&#8221;&#8221;]SYNOPSIS<\/p>\n<p>Here are gathered my poetry collections written between 1972 and 2001 and published between 1973 and 2023, now presented in their definitive version, forming the first cycle of my poetic work. In Rub\u00e9n Dar\u00edo\u2019s sense, a <em>rare work<\/em>\u2014a radical poetic experiment, both classical and avant-garde\u2014standing apart from the prevailing postulates of the time in which it was written. A visionary world where image, color, and sound reign supreme. In words taken from the prologue: \u201cThis is the poetic diary of a polyhedral self seeking to know itself through its writing, through form, through \u2018technical imagination\u2019 [\u2026] A diary woven from different voices, different trills that, in turn, are a whole, like the Simurgh, the legendary, mythical bird (myth is the <em>saint langage<\/em> of writing). [\u2026] Is this what remains of life, of my life? Is this what results from this paper self, burned in the word and dead on stage? [\u2026] These are the embers left to me by the withering action of life; its enamored ashes, through which I know that I have been.\u201d<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Author: Pedro Gand\u00eda<\/p>\n<p>Publisher: Calambur Editorial S.L.; \u201cCalambur, Poes\u00eda\u201d, no. 175, Barcelona (Spain)<br \/>\nISBN: 978-84-8359-139-0<br \/>\n550 pp.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"#\" target=\"_self\"  class=\"qbutton \" style=\"\">BUY WORK<\/a>[\/vc_column_text]<div class=\"social_share_list_holder circle\"><ul><li class=\"facebook_share\"><a title=\"Share on Facebook\" href=\"javascript:void(0)\" onclick=\"window.open('http:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/www.pedro-gandia.com\/en\/las-cenizas-del-dia\/', 'sharer', 'toolbar=0,status=0,width=620,height=280');\"><i class=\"social_facebook_circle\"><\/i><\/a><\/li><li class=\"twitter_share\"><a href=\"#\" title=\"Share on Twitter\" onclick=\"popUp=window.open('https:\/\/twitter.com\/intent\/tweet?text=Se+re%C3%BAnen+aqu%C3%AD+mis+poemarios+escritos+entre+1972+y+2001+y+publicados+entre+1973+y+2023%2C+ https:\/\/www.pedro-gandia.com\/en\/las-cenizas-del-dia\/', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false;\"><i class=\"social_twitter_circle\"><\/i><\/a><\/li><li  class=\"google_share\"><a href=\"#\" title=\"Share on Google+\" onclick=\"popUp=window.open('https:\/\/plus.google.com\/share?url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Flas-cenizas-del-dia%2F', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_googleplus_circle\"><\/i><\/a><\/li><li  class=\"linkedin_share\"><a href=\"#\" title=\"Share on LinkedIn\" onclick=\"popUp=window.open('https:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Flas-cenizas-del-dia%2F&amp;title=LAS+CENIZAS+DEL+D%C3%8DA', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_linkedin_circle\"><\/i><\/a><\/li><li  class=\"pinterest_share\"><a href=\"#\" title=\"Share on Pinterest\" onclick=\"popUp=window.open('https:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Flas-cenizas-del-dia%2F&amp;description=LAS CENIZAS DEL D\u00cdA&amp;media=https%3A%2F%2Fwww.pedro-gandia.com%2Fwp-content%2Fuploads%2FLas-cenizas-del-dia_500x500.jpg', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_pinterest_circle\"><\/i><\/a><\/li><\/ul><\/div>[vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; background_color=&#8221;#ffffff&#8221; css=&#8221;.vc_custom_1500902490992{padding: 2% !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1769509911608{padding-top: 4% !important;padding-bottom: 2% !important;}&#8221;]<span style=\"color: #393939;\"><strong>POEMS<\/strong><\/span>[\/vc_column_text][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_toggle&#8221;][vc_accordion_tab title=&#8221;ESTACI\u00d3N DE DIFUNTOS&#8221;][vc_column_text css=&#8221;&#8221;]Los chopos son los brazos<br \/>\nde los amigos muertos.<\/p>\n<p>&nbsp;<\/p>\n<p>Los chopos son los brazos;<br \/>\nlas hojas, mil pa\u00f1uelos.<\/p>\n<p>&nbsp;<\/p>\n<p>Las hojas, mil pa\u00f1uelos<br \/>\npara enjugar recuerdos.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00bfD\u00f3nde pican los p\u00e1jaros<br \/>\nde los amigos muertos?<\/p>\n<p>&nbsp;<\/p>\n<p>Los chopos son velones<br \/>\npor los amigos muertos.<\/p>\n<p>&nbsp;<\/p>\n<p>\u00bfD\u00f3nde pican los p\u00e1jaros<br \/>\nque en mi fuente bebieron?<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\">Vengo de los chopos, madre,<br \/>\nde ver c\u00f3mo el aire los mueve.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 120px;\">(Del libro <em>Las puertas de la Arcadia y de lo Oscuro<\/em>)<\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;VARIACIONES SOBRE UN TEMA&#8221;][vc_column_text css=&#8221;&#8221;]I. DE LA ESCUELA DE CROTONA<\/p>\n<p>Por liberar el alma, contemplaba<br \/>\nal ser m\u00e1s puro y bello y se fund\u00eda<br \/>\nen \u00e9l hasta ser n\u00famero,<br \/>\nesp\u00edritu y sustancia.<\/p>\n<p>&nbsp;<\/p>\n<p>Al rebasar el \u00e9ter, deven\u00eda<br \/>\nla c\u00f3smica armon\u00eda.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>II. EL CUERPO ES LA GLORIA PASAJERA DEL ALMA<\/p>\n<p>No adorar su materia,<br \/>\nsino adentrarse en ella<br \/>\nhasta volverla n\u00famero<br \/>\nsin nombre, fundamento<br \/>\nde todo cuanto existe.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 120px;\">(Del libro <em>Acr\u00f3polis<\/em>)<\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;ATADO A LAS ESPALDAS DE UN TIGRE&#8221;][vc_column_text css=&#8221;&#8221;]\u2015Dial\u00e9ctica trascendental\u2015<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>Espacio de la representaci\u00f3n (tarjeta postal).\u2015<br \/>\nApariencia de un orden: <em>voil\u00e0<\/em> un poblado berberisco, muros color de carne. Una mujer, envuelta en velos negros, porta a sus espaldas un gran cesto de palmas (s\u00ed, con esa rima interna y ese ritmo).<br \/>\nEspectador contemplado: retirado a la profundidad de las cosas y vuelto sobre s\u00ed mismo, rostro que ha de borrarse en la historia.<br \/>\n<em>\u2026 solo Lucette y la agencia que les remit\u00eda las cartas conoc\u00edan la direcci\u00f3n de Van.<\/em><\/p>\n<p>&nbsp;<\/p>\n<p>Naturaleza del conocimiento.\u2015<br \/>\nIlusi\u00f3n de la verdad, quimera ideol\u00f3gica.<br \/>\nObras de ficci\u00f3n, de su ficci\u00f3n consciente, fueron las exposiciones del m\u00edstico y pitag\u00f3rico Parm\u00e9nides; y aquellas cualidades ostentadas por las cosas del cosmos, sometidas a un sistema por \u00e9l, con el que dominar el alma del mundo. <em>Doble d\u00e9j\u00e0 vu.<\/em><br \/>\nExpuestos y atacados los pitag\u00f3ricos (divisibilidad de sus definiciones al infinito), tiemblan, reti\u00f1en, truenan timbales y tambores y trompetas en el centro de invisibles laberintos, donde se custodian los objetos del saber cl\u00e1sico, \u00bfel saber c\u00f3smico? Anal\u00edtica de la finitud.<br \/>\nY un sistema de signos transparentes, raras rosas, lo <em>Otro<\/em> (fraternal y gemelo), se abre a la continuidad del ser.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 40px;\"><em>\u2015\u00bfTienes miedo o est\u00e1s enfadado?<\/em><br \/>\n<em>\u2015Estafado, enfadado, todo. La vida es un momento precario destinado a la desaparici\u00f3n.<\/em><br \/>\n<em>\u2015\u00bfY?&#8230; \u00bfQu\u00e9 esperabas? No hay m\u00e1s realidad que el fr\u00edo.<\/em><br \/>\n<em>\u2015Bueno, m\u00e1s que enfadado y que todo: horrorizado. Horrification!, c\u2019est ici le cas, si en franc\u00e9s lo prefieres<\/em>.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"padding-left: 360px;\">(Del libro <em>Cielos l\u00edquidos<\/em>)<\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;n O cturn O&#8221;][vc_column_text css=&#8221;&#8221;]N <strong>O<\/strong> CTURN <strong>O<\/strong><br \/>\n(e.e. cummingsniano)<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><em>night\u00a0 \u00a0shall\u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 E A T<\/em><br \/>\n<em>these\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<\/em><br \/>\n<em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 boys &amp; girls<\/em><\/p>\n<p>el Viejo Tiempo<\/p>\n<p style=\"padding-left: 40px;\">a l i m e n t \u00e1 n d o s e<\/p>\n<p style=\"padding-left: 160px;\">de ti<br \/>\nde m\u00ed<br \/>\nde todos<\/p>\n<p>l a r e a l i d a d e s e l m o t i v o<\/p>\n<p style=\"padding-left: 80px;\">(Del libro <em>Estrella de Oro<\/em>)<\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;WHEN FORTHY WINTERS SHALL BESIEGE THY BROW&#8221;][vc_column_text css=&#8221;&#8221;]<\/p>\n<p>Cronista y no part\u00edcipe,<br \/>\nrendido a la belleza superior de esa imagen<br \/>\nque ahora te enloquece<br \/>\naunque luego, muy pronto, su designio de gracia<br \/>\nni a su sombra responda,<br \/>\nte impones que su antorcha joven prenda en tus versos,<br \/>\npor salvarlo del tiempo<br \/>\ny que lo tengan otros n\u00e1ufragos de la vida<br \/>\ny lo tomen por faro,<br \/>\naun sabiendo que nunca podr\u00e1n imaginar<br \/>\nla enigm\u00e1tica luz<br \/>\ntan rubia de su cuerpo, porque nunca regresa,<br \/>\nni siquiera en un dios.<\/p>\n<p>&nbsp;<\/p>\n<p>(del libro \u201cDel Tiempo, la Belleza y la Muerte\u201d)[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; background_color=&#8221;#ffffff&#8221; css=&#8221;.vc_custom_1500902490992{padding: 2% !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1769509941407{padding-top: 4% !important;padding-bottom: 2% !important;}&#8221;]<span style=\"color: #393939;\"><strong>ABOUT THIS WORK<\/strong><\/span>[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Se re\u00fanen aqu\u00ed mis poemarios escritos entre 1972 y 2001 y publicados entre 1973 y 2023, ahora en su versi\u00f3n definitiva, que conforman el primer ciclo de mi obra po\u00e9tica. En la acepci\u00f3n de Rub\u00e9n Dar\u00edo, una obra rara \u2014un experimento po\u00e9tico radical, de clasicismo y vanguardia\u2014 al margen de los postulados del momento en que fue escrita.<\/p>\n","protected":false},"author":2,"featured_media":26118,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107,110],"tags":[],"class_list":["post-26113","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literature","category-poetry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>LAS CENIZAS DEL D\u00cdA - Pedro Gand\u00eda<\/title>\n<meta name=\"description\" content=\"Las cenizas del d\u00eda. 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