{"id":24146,"date":"1990-07-20T18:37:08","date_gmt":"1990-07-20T16:37:08","guid":{"rendered":"https:\/\/www.pedro-gandia.com\/columnata\/"},"modified":"2020-11-04T17:53:13","modified_gmt":"2020-11-04T15:53:13","slug":"columnata","status":"publish","type":"post","link":"https:\/\/www.pedro-gandia.com\/en\/columnata\/","title":{"rendered":"COLUMNATA"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;yes&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; side_padding=&#8221;10&#8243; padding_top=&#8221;27&#8243; padding_bottom=&#8221;20&#8243; css_animation=&#8221;&#8221; background_color=&#8221;#ffffff&#8221;][vc_column][vc_column_text]<span style=\"font-size: 24pt;\"><strong>COLUMNATA<\/strong><\/span><\/p>\n<p><span style=\"font-size: 24pt;\"><span style=\"font-size: 18pt; color: #808080;\">Pedro Gand\u00eda<\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; padding_bottom=&#8221;70&#8243; css_animation=&#8221;&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;24311&#8243; img_size=&#8221;large&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><strong>SYNOPSIS<\/strong><\/p>\n<p style=\"text-align: justify;\"><span style=\"font-weight: 400;\">It is about five long odes in Alexandrians, written between 1973 and 1974, where the poet reflects his dazzling by classical Greek art, which gives form to the gods; by Leonardo, the seduction of the enigma of the real; by Botticelli, his androgynous figures, his philosophical allegories; and by Walt Whitman and Luis Cernuda, proclaiming a way of being.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"font-weight: 400;\">Publisher: Instituto de Estudios Modernistas, Valencia, col. &#8220;La Torre de Papel&#8221;, n. 3, 1990, Valencia (Spain)<\/span><\/p>\n<p><span style=\"font-weight: 400;\">Legal Deposit: V-1310-1990<\/span><\/p>\n<p><span style=\"font-weight: 400;\">27 pp.<\/span><\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\"><strong>COMPARTIR<\/strong><\/p>\n<p>[\/vc_column_text]<div class=\"social_share_list_holder circle\"><ul><li class=\"facebook_share\"><a title=\"Share on Facebook\" href=\"javascript:void(0)\" onclick=\"window.open('http:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/www.pedro-gandia.com\/en\/columnata\/', 'sharer', 'toolbar=0,status=0,width=620,height=280');\"><i class=\"social_facebook_circle\"><\/i><\/a><\/li><li class=\"twitter_share\"><a href=\"#\" title=\"Share on Twitter\" onclick=\"popUp=window.open('https:\/\/twitter.com\/intent\/tweet?text=It+is+about+five+long+odes+in+Alexandrians%2C+written+between+1973+and+1974%2C+where+the+poet+ https:\/\/www.pedro-gandia.com\/en\/columnata\/', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false;\"><i class=\"social_twitter_circle\"><\/i><\/a><\/li><li  class=\"google_share\"><a href=\"#\" title=\"Share on Google+\" onclick=\"popUp=window.open('https:\/\/plus.google.com\/share?url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Fcolumnata%2F', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_googleplus_circle\"><\/i><\/a><\/li><li  class=\"linkedin_share\"><a href=\"#\" title=\"Share on LinkedIn\" onclick=\"popUp=window.open('https:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Fcolumnata%2F&amp;title=COLUMNATA', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_linkedin_circle\"><\/i><\/a><\/li><li  class=\"pinterest_share\"><a href=\"#\" title=\"Share on Pinterest\" onclick=\"popUp=window.open('https:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Fcolumnata%2F&amp;description=COLUMNATA&amp;media=https%3A%2F%2Fwww.pedro-gandia.com%2Fwp-content%2Fuploads%2Fcolumnata-500x500.jpg', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_pinterest_circle\"><\/i><\/a><\/li><\/ul><\/div>[vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; padding_top=&#8221;30px&#8221; css_animation=&#8221;&#8221; background_color=&#8221;#ffffff&#8221; css=&#8221;.vc_custom_1501187562933{padding-top: 2% !important;padding-right: 2% !important;padding-bottom: 2% !important;padding-left: 2% !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1507989950548{padding-bottom: 2% !important;}&#8221;]<span style=\"color: #393939;\"><strong>POEMS<\/strong><\/span>[\/vc_column_text][vc_accordion active_tab=&#8221;false&#8221; collapsible=&#8221;yes&#8221; style=&#8221;boxed_toggle&#8221;][vc_accordion_tab title=&#8221;SANDRO BOTTICELLI (1444-1510)&#8221;][vc_column_text]I<\/p>\n<p>&nbsp;<\/p>\n<p>Un azul de cobalto transmuta la distancia<\/p>\n<p>en santuario nocturno de cuyo laberinto<\/p>\n<p>salva el hilo de luz del la\u00fad de un arc\u00e1ngel.<\/p>\n<p>&nbsp;<\/p>\n<p>Palidece el paisaje, mancebo de marfil,<\/p>\n<p>en sutil miniatura de lenguaje formal.<\/p>\n<p>Centellea la idea: el jazm\u00edn del jard\u00edn.<\/p>\n<p>&nbsp;<\/p>\n<p>Yo no busco tu ser, esp\u00edritu y materia,<\/p>\n<p>en el fiero combate de Centauro y Minerva,<\/p>\n<p>sino el pulso instintivo, sereno movimiento<\/p>\n<p>de tu l\u00edrica l\u00ednea, bellamente ondulada,<\/p>\n<p>vivo juego de luces y sombras enigm\u00e1ticas<\/p>\n<p>donde los dedos gustan fr\u00edas arquitecturas,<\/p>\n<p>que invoca, en la pintura, un ed\u00e9n sideral<\/p>\n<p>y eteriza un suspiro radiando la visi\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<p>Sangre en gemas, carbunclos; de hierbas vocer\u00edo,<\/p>\n<p>la cabellera al aire de la Idea; hibisco<\/p>\n<p>de fuego que introduce su estambre de oro fino<\/p>\n<p>en la curva perfecta de un <em>daimon<\/em> redivivo.<\/p>\n<p>&nbsp;<\/p>\n<p>Sobre silentes labios, luz-iris de Eros suave.<\/p>\n<p>Aproxima los mundos la materia hecha nave,<\/p>\n<p>nube en azur bogando que un sol so\u00f1ado sabe.<\/p>\n<p>&nbsp;<\/p>\n<p>Al sentir en su torso el apremio de un soplo,<\/p>\n<p>C\u00e9firo azul verdoso de pasi\u00f3n desatada,<\/p>\n<p>all\u00e1 loco Cupido vaciando su aljaba,<\/p>\n<p>virginal Cloris-Flora flota en radiante cielo.<\/p>\n<p>&nbsp;<\/p>\n<p>De la esfera terrena al azul sustra\u00eddas,<\/p>\n<p>las tres Gracias, no carne sino pura visi\u00f3n,<\/p>\n<p>por armado Mercurio toda nube expulsada,<\/p>\n<p>en armon\u00eda danzan en el reino de Amor.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>II<\/p>\n<p>&nbsp;<\/p>\n<p>Hija de las espumas del mar, rumbo a Citera,<\/p>\n<p>bajo lluvia de blancas rosas, p\u00fadica Venus.<\/p>\n<p>C\u00e9firo y Aura soplan porque alcance la tierra<\/p>\n<p>feliz, de vino y miel, de inocencia y deleite.<\/p>\n<p>En las claras orillas, la Primavera espera<\/p>\n<p>para arropar el m\u00e1rmol de su carne inmortal,<\/p>\n<p>templo adorable y g\u00e9lido de belleza funesta,<\/p>\n<p>desnudo inigualable, terrible como amor.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>III<\/p>\n<p>&nbsp;<\/p>\n<p>Coronado el imp\u00faber contra un fondo de oro,<\/p>\n<p>a muerte, en el retablo de bellos querubines,<\/p>\n<p>serafines, arc\u00e1ngeles, dominaciones, tronos,<\/p>\n<p>persevera el pincel en los radiantes rizos<\/p>\n<p>y sue\u00f1a pubescencias, derramando el gladiolo<\/p>\n<p>del sexo mil diamantes de esperma inaugural.<\/p>\n<p>&nbsp;<\/p>\n<p>Inocente verdugo de los id\u00f3latras<\/p>\n<p>pose\u00eddos del filtro del color y la forma,<\/p>\n<p>depurada la l\u00ednea contra est\u00e1tico fondo,<\/p>\n<p>extremada pureza hacia valores r\u00edtmicos,<\/p>\n<p>sue\u00f1a en la figurada laxitud de su lucha<\/p>\n<p>bajo el f\u00falgido pie de la Victoria-Idea.<\/p>\n<p>&nbsp;<\/p>\n<p>Si una granada cede su rubor a un dios ni\u00f1o,<\/p>\n<p>no es su pulpa el ed\u00e9n sino la tierra entera.<\/p>\n<p>El Carro de las Horas arrasar\u00e1 los labios,<\/p>\n<p>pero el sabor del beso late en eterna esfera.<\/p>\n<p>&nbsp;<\/p>\n<p>Indefensas beldades, cuarteadas por el tiempo,<\/p>\n<p>espejean el futuro. Ver reflejado en \u00e9l<\/p>\n<p>las muletas que arrastran la vejez de su art\u00edfice.<\/p>\n<p>Impotencia del hombre frente al mal y la muerte.<\/p>\n<p>Demonios, nubes negras, crucifixiones, fuegos:<\/p>\n<p>visi\u00f3n apocal\u00edptica o el ocaso del mundo.<\/p>\n<p>\u00bfRaz\u00f3n-conocimiento para vencer el tr\u00e1nsito?<\/p>\n<p>Blande el \u00e1ngel la espada contra el joven le\u00f3n.<\/p>\n<p>&nbsp;<\/p>\n<p>Sublimados sentido y materia en idea<\/p>\n<p>que deviene intelecto, en los \u00faltimos a\u00f1os<\/p>\n<p>ya no contempla el mundo, abstracci\u00f3n irreal.<\/p>\n<p>Tiempo ideal y abstracto suprime acci\u00f3n y espacio.<\/p>\n<p>Pero enfermo, encorvado, senil, hace que nazca<\/p>\n<p>en el postrer instante ni\u00f1o divino. Amor<\/p>\n<p>es el motor del mundo. Todo se ha consumado.<\/p>\n<p>Y suavemente asciende en un abrazo de \u00e1ngeles.<\/p>\n<p>Verdad es la Belleza o fusi\u00f3n con el Sol.<\/p>\n<p>&nbsp;<\/p>\n<p>&nbsp;<\/p>\n<p>(Versi\u00f3n de 2019)[\/vc_column_text][\/vc_accordion_tab][vc_accordion_tab title=&#8221;SANDRO BOTTICELLI (1444-1510) (VIDEO)&#8221;][vc_video link=&#8221;https:\/\/www.youtube.com\/watch?v=k-WMkAqAimc&#8221; el_width=&#8221;80&#8243; align=&#8221;center&#8221;][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>It is about five long odes in Alexandrians, written between 1973 and 1974, where the poet reflects his dazzling by classical Greek art, which gives form to the gods; by Leonardo, the seduction of the enigma of the real; by Botticelli, his androgynous figures, his philosophical allegories; and by Walt Whitman and Luis Cernuda, proclaiming a way of being.<\/p>\n","protected":false},"author":2,"featured_media":24310,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107,110],"tags":[],"class_list":["post-24146","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literature","category-poetry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.4 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>COLUMNATA - Pedro Gand\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pedro-gandia.com\/en\/columnata\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"COLUMNATA - Pedro Gand\u00eda\" \/>\n<meta property=\"og:description\" content=\"It is about five long odes in Alexandrians, written between 1973 and 1974, where the poet reflects his dazzling by classical Greek art, which gives form to the gods; 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