{"id":24139,"date":"2000-07-20T18:37:08","date_gmt":"2000-07-20T16:37:08","guid":{"rendered":"https:\/\/www.pedro-gandia.com\/burdel\/"},"modified":"2024-08-21T12:46:32","modified_gmt":"2024-08-21T10:46:32","slug":"burdel","status":"publish","type":"post","link":"https:\/\/www.pedro-gandia.com\/en\/burdel\/","title":{"rendered":"BURDEL"},"content":{"rendered":"<div class=\"wpb-content-wrapper\"><p>[vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;yes&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; side_padding=&#8221;10&#8243; padding_top=&#8221;27&#8243; padding_bottom=&#8221;20&#8243; css_animation=&#8221;&#8221; background_color=&#8221;#ffffff&#8221;][vc_column][vc_column_text]<span style=\"font-size: 24pt;\"><strong>BURDEL<\/strong><\/span><\/p>\n<p><span style=\"font-size: 24pt;\"><span style=\"font-size: 18pt; color: #808080;\">Pedro Gand\u00eda<\/span><\/span>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column][vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;grid&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221;][vc_column width=&#8221;1\/3&#8243;][vc_single_image image=&#8221;24191&#8243; img_size=&#8221;large&#8221; qode_css_animation=&#8221;&#8221;][\/vc_column][vc_column width=&#8221;2\/3&#8243;][vc_column_text]<\/p>\n<p style=\"text-align: justify;\"><strong>SINOPSIS<\/strong><\/p>\n<p style=\"text-align: justify;\"><em>Burdel<\/em>\u00a0presenta un juego radical contra el valor, el arquetipo, la tradici\u00f3n pero tambi\u00e9n contra el molde caduco de la novela. Ejercicio de estilo, de trasgresi\u00f3n por encontrar la frase justa, con gui\u00f1os a Poe, a Rimbaud, a Nietszche, a Aleyster Crowley y a otros malditos que jugaron con dinamita.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">En la primera p\u00e1gina, el autor nos expone la filosof\u00eda y g\u00e9nesis de la composici\u00f3n. Creaci\u00f3n de un personaje, Aleixander C., que a su vez se recrea en un\u00a0<em>Cuaderno de rodaje<\/em>, al tiempo que refleja sus ideas en un\u00a0<em>Bloc de notas<\/em>. El lector podr\u00e1 alternar la acci\u00f3n con las ideas; un argumento m\u00ednimo y repetitivo y las marcas temporales, en ambos textos, lo facilitan.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">El autor nos adentra en la privacidad de su personaje, al que idea como &#8220;esteta, exota, amoral, diletante y esnob&#8221;. Y lo ubica en una Arabia Feliz (ir\u00f3nica Xanad\u00fa) ni m\u00edtica ya ni salvaje: civilizada. \u00bfEl desenlace? No lo hay. En su lugar, el pensamiento de Aleixander triturando a martillazos, entre otras cosas, el error de la moral y de la ley universal que desvirt\u00faan al individuo eliminando lo distinto.<\/p>\n<p>&nbsp;<\/p>\n<p style=\"text-align: justify;\">Ilustraci\u00f3n tapa: An\u00f3nimo, <em>\u00c1rabe<\/em>, hacia 1920. Dise\u00f1o: Pedro Gand\u00eda<\/p>\n<p>Editorial: Instituto de Estudios Modernistas, Jade Narrativa, 2000, Valencia (Espa\u00f1a)<\/p>\n<p>ISBN: 84-95356-15-5<\/p>\n<p>147 pp.<\/p>\n<p>&nbsp;<\/p>\n<p><a href=\"https:\/\/www.pedro-gandia.com\/contacto\/\" target=\"_blank\"  class=\"qbutton \" style=\"\">ADQUIRIR OBRA<\/a>[\/vc_column_text]<div class=\"social_share_list_holder circle\"><ul><li class=\"facebook_share\"><a title=\"Share on Facebook\" href=\"javascript:void(0)\" onclick=\"window.open('http:\/\/www.facebook.com\/sharer\/sharer.php?u=https:\/\/www.pedro-gandia.com\/en\/burdel\/', 'sharer', 'toolbar=0,status=0,width=620,height=280');\"><i class=\"social_facebook_circle\"><\/i><\/a><\/li><li class=\"twitter_share\"><a href=\"#\" title=\"Share on Twitter\" onclick=\"popUp=window.open('https:\/\/twitter.com\/intent\/tweet?text=Brothel+presents+a+radical+game+against+the+value%2C+the+archetype%2C+the+tradition+but+also+against+the+ https:\/\/www.pedro-gandia.com\/en\/burdel\/', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false;\"><i class=\"social_twitter_circle\"><\/i><\/a><\/li><li  class=\"google_share\"><a href=\"#\" title=\"Share on Google+\" onclick=\"popUp=window.open('https:\/\/plus.google.com\/share?url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Fburdel%2F', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_googleplus_circle\"><\/i><\/a><\/li><li  class=\"linkedin_share\"><a href=\"#\" title=\"Share on LinkedIn\" onclick=\"popUp=window.open('https:\/\/linkedin.com\/shareArticle?mini=true&amp;url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Fburdel%2F&amp;title=BURDEL', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_linkedin_circle\"><\/i><\/a><\/li><li  class=\"pinterest_share\"><a href=\"#\" title=\"Share on Pinterest\" onclick=\"popUp=window.open('https:\/\/pinterest.com\/pin\/create\/button\/?url=https%3A%2F%2Fwww.pedro-gandia.com%2Fen%2Fburdel%2F&amp;description=BURDEL&amp;media=https%3A%2F%2Fwww.pedro-gandia.com%2Fwp-content%2Fuploads%2FBurdel-500x500.jpg', 'popupwindow', 'scrollbars=yes,width=800,height=400');popUp.focus();return false\"><i class=\"social_pinterest_circle\"><\/i><\/a><\/li><\/ul><\/div>[vc_empty_space height=&#8221;50px&#8221;][\/vc_column][\/vc_row][vc_row row_type=&#8221;row&#8221; use_row_as_full_screen_section=&#8221;no&#8221; type=&#8221;full_width&#8221; text_align=&#8221;left&#8221; background_animation=&#8221;none&#8221; css_animation=&#8221;&#8221; background_color=&#8221;#ffffff&#8221; css=&#8221;.vc_custom_1500902490992{padding: 2% !important;}&#8221;][vc_column][vc_column_text css=&#8221;.vc_custom_1502016795950{padding-bottom: 2% !important;}&#8221;]<span style=\"color: #393939;\"><strong>ABOUT THIS WORK<\/strong><\/span>[\/vc_column_text][vc_accordion active_tab=&#8221;false&#8221; style=&#8221;boxed_toggle&#8221;][vc_accordion_tab title=&#8221;PALABRAS DEL AUTOR&#8221;][vc_column_text]\u00bfLa filosof\u00eda de esta composici\u00f3n?<\/p>\n<p>Destrozar con estridencia y a martillazos los conceptos supremos (que son los m\u00e1s vac\u00edos). Radicalizaci\u00f3n, juego de desarticulaci\u00f3n y ruptura, est\u00e9tica de perversi\u00f3n.<\/p>\n<p>Para ello, crear\u00eda una voz discordante. Ser\u00eda esteta, exota, amoral, diletante y esnob. N\u00famero 3, el artista, el hijo condenado a no tener sucesi\u00f3n. Su nombre, Aleixander C. (en homenaje a Aleyster Crowley y a su filosof\u00eda del &#8220;Haz lo que Quieras&#8221;).<\/p>\n<p>Como ejercicio de suspensi\u00f3n de vida, Aleixander llevar\u00eda un\u00a0<em>Cuaderno de rodaje<\/em>\u00a0en la Arabia Feliz (si no existe, la pinta, m\u00edtica y salvaje). Visi\u00f3n de interior, entre las im\u00e1genes que materializa y las ideas que concibe. Con toques al fetiche Rimbaud (el H\u00f4tel de l&#8217;Univers, la residencia de aquel artista, tratante de armas y de esclavos; y Djami, perro callejero y muerto de hambruna, amigo de Abdoh Rimb en Harar que aqu\u00ed habr\u00eda de ser ciudad portuaria por el simbolismo del agua).<\/p>\n<p>Relato no ficci\u00f3n,\u00a0<em>cin\u00e9ma-verit\u00e9<\/em>\u00a0(con zoom y al microscopio) y m\u00edstica del cuerpo y los sentidos. Entre la seriedad y la iron\u00eda. Fragmentaci\u00f3n, repetici\u00f3n warholiana, discurso vac\u00edo.<\/p>\n<p>En el lugar del desenlace, lo que habr\u00eda de proporcionar apariencia de l\u00f3gica y de causalidad a lo relatado, un<em>\u00a0Bloc de notas<\/em>, el pensamiento del personaje. Un ejercicio de reajuste de la mirada, a trav\u00e9s de la inversi\u00f3n de los valores. Y contra la hipocres\u00eda del Bien: contra la moral, debilidad del cerebro; contra la raz\u00f3n, que domestica&#8230;etc.<\/p>\n<p>El t\u00edtulo, una palabra, al final.<\/p>\n<p>&#8220;Burdel&#8221; fue la primera que se me ocurri\u00f3, el signo m\u00e1s evidente de la vida civilizada. (p\u00e1g. 9)<\/p>\n<p>[\/vc_column_text][\/vc_accordion_tab][\/vc_accordion][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"<p>Brothel presents a radical game against the value, the archetype, the tradition but also against the expired mold of the novel. It is an exercise of style, of transgression to find the right phrase, winking to Poe, to Rimbaud, to Nietszche, to Aleyster Crowley and to other cursed ones who played with dynamite.<br \/>\nOn the first page, the author exposes the philosophy and the genesis of the composition. The creation of a character, Aleixander C., who in turn is recreated in a Shooting notebook, while reflecting his ideas in a Notebook. The reader will be able to alternate the action with the ideas; a minimal and repetitive argument and timestamps, in both texts, facilitate it.<br \/>\nThe author takes us into the privacy of his character, about whom he thinks of as \u201cesthete, exota, amoral, dilettante and snob\u201d. And he locates him in an Arabia Felix (ironic Xanadu) neither mythical nor savage: civilized. What is the outcome? There is none Instead, the thought of Aleixander crushing with a hammer, among other things, the error of moral and universal law that distort the individual eliminating the different<\/p>\n","protected":false},"author":2,"featured_media":24179,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[107,109],"tags":[],"class_list":["post-24139","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-literature","category-fiction"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>BURDEL - Pedro Gand\u00eda<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.pedro-gandia.com\/en\/burdel\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"BURDEL - Pedro Gand\u00eda\" \/>\n<meta property=\"og:description\" content=\"Brothel presents a radical game against the value, the archetype, the tradition but also against the expired mold of the novel. It is an exercise of style, of transgression to find the right phrase, winking to Poe, to Rimbaud, to Nietszche, to Aleyster Crowley and to other cursed ones who played with dynamite. On the first page, the author exposes the philosophy and the genesis of the composition. The creation of a character, Aleixander C., who in turn is recreated in a Shooting notebook, while reflecting his ideas in a Notebook. The reader will be able to alternate the action with the ideas; a minimal and repetitive argument and timestamps, in both texts, facilitate it. The author takes us into the privacy of his character, about whom he thinks of as \u201cesthete, exota, amoral, dilettante and snob\u201d. And he locates him in an Arabia Felix (ironic Xanadu) neither mythical nor savage: civilized. What is the outcome? 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