{"id":24116,"date":"2017-08-04T19:21:00","date_gmt":"2017-08-04T17:21:00","guid":{"rendered":"https:\/\/www.pedro-gandia.com\/art\/pintura\/"},"modified":"2017-10-14T16:30:57","modified_gmt":"2017-10-14T14:30:57","slug":"painting","status":"publish","type":"page","link":"https:\/\/www.pedro-gandia.com\/en\/art\/painting\/","title":{"rendered":"Painting"},"content":{"rendered":"

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PAINTING<\/span><\/p>\n

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UT PINTURA POESIS<\/em> (HORATIUS)<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0If poetry was painting for Simonides of Ceos, and poetry was a talking image, it is fascinating to study the painted images (mute verses) of the poet-painter. The case is not uncommon; all knowledge tends by synthesis towards its visualization, and there are many \u00a0splendid examples throughout history: Salvador Rosa, Goethe, Garc\u00eda Lorca, William Blake, Moreno Villa …<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0Being the image, by definition, a set of forms and figures endowed with unity and signification, Pedro Gand\u00eda composes the images of his abstraction harmonizing forms and figures that could be said belonging to the color itself: each color seems to have its own body, skin and movement, as something inseparable from their pigmented reality.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The colors weigh, glide, embrace or become almost weightless waving its profile, as a sendal, to the impulse of an even lighter pigment; they interpret a slow dance, a movement always related to the musical that remembers “stagings” of settecentists\u2019 operas (perhaps Bibiena?); studies for a parsimonious and cyclopean choreography.<\/p>\n

\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 The poet directs here the splendid music of Pedro Gand\u00eda\u2019s verses.<\/p>\n

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Carlos Forns Bada, Madrid, 1983<\/p>\n

\u00a0<\/strong><\/p>\n

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Landscapes of vigorous gesture and nudes that evoke a heroic romanticism form two parallel series in the work of Pedro Gand\u00eda.<\/p>\n

\u00a0<\/strong><\/p>\n

Fernando Huici, <\/strong>EL PAIS, June 6, 1986<\/p>\n

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