{"version":"1.0","provider_name":"Pedro Gand\u00eda","provider_url":"https:\/\/www.pedro-gandia.com\/en\/","author_name":"Pedro Gand\u00eda","author_url":"https:\/\/www.pedro-gandia.com\/en\/author\/pedro\/","title":"EL \u00c1RBOL AXIAL, UNA POES\u00cdA ALTERNATIVA - Pedro Gand\u00eda","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"ePYBoE5n0p\"><a href=\"https:\/\/www.pedro-gandia.com\/en\/el-arbol-axial-una-poesia-alternativa\/\">EL \u00c1RBOL AXIAL, UNA POES\u00cdA ALTERNATIVA<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pedro-gandia.com\/en\/el-arbol-axial-una-poesia-alternativa\/embed\/#?secret=ePYBoE5n0p\" width=\"600\" height=\"338\" title=\"&#8220;EL \u00c1RBOL AXIAL, UNA POES\u00cdA ALTERNATIVA&#8221; &#8212; Pedro Gand\u00eda\" data-secret=\"ePYBoE5n0p\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pedro-gandia.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Baudelaire denunci\u00f3 el fracaso del movimiento en boga aspirando a desaparecer como autor en una perpetua novedad. Y conden\u00f3 el yo inflado, la inspiraci\u00f3n, el sentimentalismo, el compromiso moral, el documental realista. Luego entr\u00f3 en escena Rimbaud, el m\u00edstico salvaje, y arremeti\u00f3 contra los escritores, a quienes tach\u00f3 de funcionarios para afirmar que \u201caut\u00e9ur, cr\u00e9ateur, po\u00e8te, cet homme n\u2019a jamais exist\u00e9\u201c. Desde los nov\u00edsimos, hemos de hablar en t\u00e9rminos de fracaso en la poes\u00eda espa\u00f1ola. El poeta es un funcionario de la instituci\u00f3n literaria. Ya no rompe con ella y la respeta porque, sin ella, teme fracasar."}