{"version":"1.0","provider_name":"Pedro Gand\u00eda","provider_url":"https:\/\/www.pedro-gandia.com\/en\/","author_name":"Pedro Gand\u00eda","author_url":"https:\/\/www.pedro-gandia.com\/en\/author\/pedro\/","title":"BURDEL - Pedro Gand\u00eda","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"mm6NFmq94M\"><a href=\"https:\/\/www.pedro-gandia.com\/en\/burdel\/\">BURDEL<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/www.pedro-gandia.com\/en\/burdel\/embed\/#?secret=mm6NFmq94M\" width=\"600\" height=\"338\" title=\"&#8220;BURDEL&#8221; &#8212; Pedro Gand\u00eda\" data-secret=\"mm6NFmq94M\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/www.pedro-gandia.com\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","thumbnail_url":"https:\/\/www.pedro-gandia.com\/wp-content\/uploads\/Burdel-500x500.jpg?_t=1724237192","thumbnail_width":500,"thumbnail_height":500,"description":"Brothel presents a radical game against the value, the archetype, the tradition but also against the expired mold of the novel. It is an exercise of style, of transgression to find the right phrase, winking to Poe, to Rimbaud, to Nietszche, to Aleyster Crowley and to other cursed ones who played with dynamite. On the first page, the author exposes the philosophy and the genesis of the composition. The creation of a character, Aleixander C., who in turn is recreated in a Shooting notebook, while reflecting his ideas in a Notebook. The reader will be able to alternate the action with the ideas; a minimal and repetitive argument and timestamps, in both texts, facilitate it. The author takes us into the privacy of his character, about whom he thinks of as \u201cesthete, exota, amoral, dilettante and snob\u201d. And he locates him in an Arabia Felix (ironic Xanadu) neither mythical nor savage: civilized. What is the outcome? There is none Instead, the thought of Aleixander crushing with a hammer, among other things, the error of moral and universal law that distort the individual eliminating the different"}