1.0Pedro Gandíahttps://www.pedro-gandia.com/en/Pedro Gandíahttps://www.pedro-gandia.com/en/author/pedro/rich600338<blockquote class="wp-embedded-content" data-secret="eRtZs6prRV"><a href="https://www.pedro-gandia.com/en/la-habana-y-despues/">LA HABANA Y DESPUÉS</a></blockquote><iframe sandbox="allow-scripts" security="restricted" src="https://www.pedro-gandia.com/en/la-habana-y-despues/embed/#?secret=eRtZs6prRV" width="600" height="338" title="“LA HABANA Y DESPUÉS” — Pedro Gandía" data-secret="eRtZs6prRV" frameborder="0" marginwidth="0" marginheight="0" scrolling="no" class="wp-embedded-content"></iframe><script type="text/javascript"> /* <![CDATA[ */ /*! This file is auto-generated */ !function(d,l){"use strict";l.querySelector&&d.addEventListener&&"undefined"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!/[^a-zA-Z0-9]/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret="'+t.secret+'"]'),o=l.querySelectorAll('blockquote[data-secret="'+t.secret+'"]'),c=new RegExp("^https?:$","i"),i=0;i<o.length;i++)o[i].style.display="none";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute("style"),"height"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):"link"===t.message&&(r=new URL(s.getAttribute("src")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener("message",d.wp.receiveEmbedMessage,!1),l.addEventListener("DOMContentLoaded",function(){for(var e,t,s=l.querySelectorAll("iframe.wp-embedded-content"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute("data-secret"))||(t=Math.random().toString(36).substring(2,12),e.src+="#?secret="+t,e.setAttribute("data-secret",t)),e.contentWindow.postMessage({message:"ready",secret:t},"*")},!1)))}(window,document); //# sourceURL=https://www.pedro-gandia.com/wp-includes/js/wp-embed.min.js /* ]]> */ </script> https://www.pedro-gandia.com/wp-content/uploads/La-Habana-y-despues-500x500.jpg500500La Habana y después, fragmented novel in three times and located in two continents, between the spring of 1994 and the summer of 1997, has Alex as protagonist, a traveler and cosmopolitan artist in vacations, an esthete that satisfies his hedonism traveling always to the East and the South. His journeys are of initiation to knowledge, which he is pleased to find in the diverse, exotic and distant. The first tempo, Entronque de caminos, happens in the spring of 1994, when Alex marches for the first time to Havana, with his friend Maria. The second tempo, Yunaisis, la Dragona, covers the following two years. In them, Alex returns to Havana, travels to the East Beaches and then to Santiago, what it lasts his ethyl romance with a mulatto from Orient, a young transvestite who has casted an spell on him. He want to see Yunaisis above herself, the sign that overthrows the ever-stereotyped of fixed identity and with whom he denies, both succumbed to alcohol, the recruded Special Period. But reality finally prevails over her dreams, and, to forget her sorceress, he will go to another island, the easternmost East, to Cebu, La Reina del Sur de Filipinas, which gives title to the third time. The wild and miserable environment in which he will live there, among squatters on the outskirts of Cebu City, will also be erased by alcohol, in favor of a magical place with the most beautiful colors and shapes. The new connection will now be Elsa, a Cebuian teenager, of androgynous beauty, over whom he will devote his ideal.